“Mind reading” scans show that, to our brains, a sparse line drawing of a street scene is almost as recognizable as a detailed color photograph. One at a time, researchers show a volunteer – who’s resting in an MRI scanner – a series of photos of beaches, city streets, forests, highways, mountains and offices. The subject looks at the photos, but says nothing.
The researchers, however, can usually tell which photo the volunteer is watching at any given moment, aided by sophisticated software that interprets the signals coming from the scan. They glean clues not only by noting what part of the brain is especially active, but also by analyzing the patterns created by the firing neurons. They call it decoding.
Now, psychologists and computer scientists at Stanford, Ohio State University and the University of Illinois at Urbana–Champaign have taken mind reading a step further, with potential impact on how both computers and the visually impaired make sense of the world they see.
The research was focused on the parahippocampal place area, a region of the brain that plays an important role in recognition of scenes such as rooms, landscapes and city streets.
The results demonstrate that outlines play a crucial role in how the human eye and mind interpret what is seen. The bare outlines of the photos shown to the participants seemingly offered the brain almost as many clues as the original photo. This “impoverished” signal sent to the brain was enough, Li said.
This kind of “mind reading” could prove helpful in assessing patients in comas. “Inferring what people are seeing is clinically important,” Li said.
The power of outlines seems backed up by history and common experience. As the authors wrote in their research paper, published in the Proceedings of the National Academy of Sciences, early cave dwellers drew outline figures on the walls of their homes; Chinese calligraphy revolves around lines and strokes; and children draw outlines as they attempt to describe the world unfolding before them.
“The representations in our brain for categorizing these scenes seem to be a bit more abstract than some may have thought – we don’t need features such as texture and color to tell a beach from a street scene,” said Dirk Bernhardt-Walther, a psychologist at Ohio State University who was a member of the research team.
Even when the software made errors reading the black-and-white line drawing of, for example, the beach, the mistakes closely resembled the mistakes made with the color photo of the beach, underscoring the conclusion that line drawings stimulate the mind in almost the same way as color photographs. As researchers began removing parts of the line drawings piece by piece before showing them to the participants, they learned that the longer contours created by the lines, which formed the structure of the scene, were the most important. “Lines capture really important structure, and you can find evidence of that in the brain,” Li said.
By Dan Stober at http://news.stanford.edu
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